The Rabbit Hutch
The Rabbit Hutch is a stunning debut novel about four teenagers—recently aged out of the state foster-care system—living together in an apartment building in the post-industrial Midwest, exploring the quest for transcendence and the desire for love.
“Gunty writes with a keen, sensitive eye about all manner of intimacies—the kind we build with other people, and the kind we cultivate around ourselves and our tenuous, private aspirations.”—Raven Leilani, best-selling, award-winning author of Luster
The automobile industry has abandoned Vacca Vale, Indiana, leaving the residents behind, too. In a run-down apartment building on the edge of town, commonly known as the Rabbit Hutch, a number of people now reside quietly, looking for ways to live in a dying city. Apartment C2 is lonely and detached. C6 is aging and stuck. C8 harbors an extraordinary fear. But C4 is of particular interest.
Here live four teenagers who have recently aged out of the state foster-care system: three boys and one girl, Blandine, who The Rabbit Hutch centers around. Hauntingly beautiful and unnervingly bright, Blandine is plagued by the structures, people, and places that not only failed her but actively harmed her. Now all Blandine wants is an escape, a true bodily escape like the mystics describe in the books she reads.
Set across one week and culminating in a shocking act of violence, The Rabbit Hutch chronicles a town on the brink, desperate for rebirth. How far will its residents—especially Blandine—go to achieve it? Does one person’s gain always come at another’s expense? Tess Gunty’s The Rabbit Hutch is a gorgeous and provocative tale of loneliness and community, entrapment and freedom. It announces a major new voice in American fiction, one bristling with intelligence and vulnerability.
TESS GUNTY earned an MFA in creative writing from NYU, where she was a Lillian Vernon Fellow. Her work has appeared in The Iowa Review, Joyland, Los Angeles Review of Books, No Tokens, Flash, and elsewhere. She was raised in South Bend, Indiana, and lives in Los Angeles.
Illuminations
From the unparalleled imagination of Alan Moore, author of Watchmen and V for Vendetta, eight stories full of wonder and strangeness, which take us to the fantastical underside of reality.
In his first-ever short story collection, which spans forty years of work and features many never-before-published pieces, Alan Moore presents a series of wildly different and equally unforgettable characters who discover—and in some cases even make and unmake—the various uncharted parts of existence.
In “A Hypothetical Lizard,” two concubines in a brothel for sorcerers fall in love, with tragic ramifications. In “Not Even Legend,” a paranormal study group is infiltrated by one of the otherworldly beings they seek to investigate. In “Illuminations,” a nostalgic older man decides to visit a seaside resort from his youth and finds the past all too close at hand. And in the monumental novella “What We Can Know about Thunderman,” which charts the surreal and Kafkaesque history of the comics industry over the last seventy-five years through several sometimes-naive and sometimes-maniacal people rising and falling on its career ladders, Moore reveals the dark, beating heart of the superhero business.
From ghosts and otherworldly creatures to the four horsemen of the apocalypse to theoretical Boltzmann brains fashioning the universe at the big bang, Illuminations is exactly that—a series of bright, startling tales from a contemporary legend that reveal the full power of imagination and magic.
Alan Moore is widely regarded as the best and most influential writer in the history of comics. His seminal works include V for Vendetta, The League of Extraordinary Gentlemen, From Hell, and Watchmen, which won a Hugo Award and was adapted into a film as well as an HBO original series. He is also the author of the New York Times bestselling novel Jerusalem. He was born in 1953 in Northampton, UK, and has lived there ever since.
Faith, Hope and Carnage
Faith, Hope and Carnage is a book about Nick Cave’s inner life.
Created from more than forty hours of intimate conversations with Seán O’Hagan, Faith, Hope and Carnage is a profoundly thoughtful exploration, in Cave’s own words, of what really drives his life and creativity.
The book examines questions of faith, art, music, freedom, grief, and love. It draws candidly on Cave’s life, from his early childhood to the present day, his loves, his work ethic, and his dramatic transformation in recent years.
From a place of considered reflection, Faith, Hope and Carnage offers ladders of hope and inspiration from a true creative visionary.
Nick Cave has been performing music for more than forty years and is best known as the songwriter and lead singer of Nick Cave & The Bad Seeds, whose latest album, Ghosteen, was widely received as their best work ever. Cave’s body of work also covers a wider range of media and modes of expression, including film score composition, ceramic sculpture, and writing novels. Over the last few years, his Red Hand Files website and "Conversation with" live events have seen Cave exploring deeper and more direct relationships with his fans.
Seán O’Hagan has interviewed many major artists, writers, and musicians over the last four decades. He currently works as a feature writer for The Observer and is a photography critic for the Guardian.
Our Missing Hearts
From the number one bestselling author of Little Fires Everywhere, a deeply suspenseful and heartrending novel about the unbreakable love between a mother and child in a society consumed by fear
Twelve-year-old Bird Gardner lives a quiet existence with his loving but broken father, a former linguist who now shelves books in a university’s library. Bird knows to not ask too many questions, stand out too much, or stray too far. For a decade, their lives have been governed by laws written to preserve “American culture” in the wake of years of economic instability and violence. To keep the peace and restore prosperity, the authorities are now allowed to relocate children of dissidents, especially those of Asian origin, and libraries have been forced to remove books seen as unpatriotic—including the work of Bird’s mother, Margaret, a Chinese American poet who left the family when he was nine years old.
Bird has grown up disavowing his mother and her poems; he doesn’t know her work or what happened to her, and he knows he shouldn’t wonder. But when he receives a mysterious letter containing only a cryptic drawing, he is pulled into a quest to find her. His journey will take him back to the many folktales she poured into his head as a child, through the ranks of an underground network of librarians, into the lives of the children who have been taken, and finally to New York City, where a new act of defiance may be the beginning of much-needed change.
Our Missing Hearts is an old story made new, of the ways supposedly civilized communities can ignore the most searing injustice. It’s a story about the power—and limitations—of art to create change, the lessons and legacies we pass on to our children, and how any of us can survive a broken world with our hearts intact.
Celeste Ng is the number one New York Times bestselling author of Everything I Never Told You and Little Fires Everywhere. She is the recipient of fellowships from the National Endowment of the Arts and the Guggenheim Foundation, and her work has been published in over thirty languages.
Dangerous Rhythms: Jazz and the Underworld
From T. J. English, the New York Times bestselling author of Havana Nocturne, comes the epic, scintillating narrative of the interconnected worlds of jazz and organized crime in 20th century America.
Dangerous Rhythms tells the symbiotic story of jazz and the underworld: a relationship fostered in some of 20th century America’s most notorious vice districts. For the first half of the century mobsters and musicians enjoyed a mutually beneficial partnership. By offering artists like Louis Armstrong, Earl “Fatha” Hines, Fats Waller, Duke Ellington, Billie Holiday, Lena Horne, and Ella Fitzgerald a stage, the mob, including major players Al Capone, Meyer Lansky, and Charlie “Lucky” Luciano, provided opportunities that would not otherwise have existed.
Even so, at the heart of this relationship was a festering racial inequity. The musicians were mostly African American, and the clubs and means of production were owned by white men. It was a glorified plantation system that, over time, would find itself out of tune with an emerging Civil Rights movement. Some artists, including Louis Armstrong, believed they were safer and more likely to be paid fairly if they worked in “protected” joints. Others believed that playing in venues outside mob rule would make it easier to have control over their careers.
Through English’s voluminous research and keen narrative skills, Dangerous Rhythms reveals this deeply fascinating slice of American history in all its sordid glory.
T. J. English is a noted journalist, screenwriter, and author of the New York Times bestsellers Havana Nocturne, Paddy Whacked, and The Savage City, as well as The Westies, a national bestseller, Born to Kill, which was nominated for an Edgar Award, and The Corporation. He has written for Esquire, Playboy, and New York magazine, among other publications. His screenwriting credits include episodes for the television crime dramas NYPD Blue and Homicide, for which he was awarded the Humanitas Prize. He lives in New York City.
The Mosquito Bowl
An extraordinary, untold story of the Second World War in the vein of Unbroken and The Boys in the Boat, from the author of Friday Night Lights and Three Nights in August.
When the Japanese attacked Pearl Harbor, college football was at the height of its popularity. As the nation geared up for total war, one branch of the service dominated the aspirations of college football stars: the United States Marine Corps. Which is why, on Christmas Eve of 1944, when the 4th and 29th Marine regiments found themselves in the middle of the Pacific Ocean training for what would be the bloodiest battle of the war – the invasion of Okinawa—their ranks included one of the greatest pools of football talent ever assembled: Former All Americans, captains from Wisconsin and Brown and Notre Dame, and nearly twenty men who were either drafted or would ultimately play in the NFL.
When the trash-talking between the 4th and 29th over who had the better football team reached a fever pitch, it was decided: The two regiments would play each other in a football game as close to the real thing as you could get in the dirt and coral of Guadalcanal. The bruising and bloody game that followed became known as “The Mosquito Bowl.”
Within a matter of months, fifteen of the 64 the players in “The Mosquito Bowl” would be killed at Okinawa, by far the largest number of American athletes ever to die in a single battle. The Mosquito Bowl is the story of these brave and beautiful young men, those who survived and those who did not. It is the story of the families and the landscape that shaped them. It is a story of a far more innocent time in both college athletics and the life of the country, and of the loss of that innocence.
Writing with the style and rigor that won him a Pulitzer Prize and have made several of his books modern classics, Buzz Bissinger takes us from the playing fields of America’s campuses where boys played at being Marines, to the final time they were allowed to still be boys on that field of dirt and coral, to the darkest and deadliest days that followed at Okinawa.
Buzz Bissinger was born in 1954. He is a Pulitzer Prize-winning journalist whose books include the New York Times bestsellers Three Nights in August and Friday Night Lights. He has served as a contributing editor for Vanity Fair and as a sports columnist for the Daily Beast, and has written for the New York Times, the Washington Post, the New Republic, Time, and many other publications. He lives both in Southwestern Washington State and Philadelphia. He is married to Lisa Smith with three children.
